**These works are for sale** 

Influenced by underwater plants and microscopic structures, these felted sculptural forms exist between the familiar and the unknown. They embrace ambiguity, inviting viewers to engage slowly, noticing subtle differences, varied textures, and contrasting materials in each piece. Built on foam armatures through an accumulative needle-felting process and embedded with thrifted beads, jewelry, and found ornaments, the materials attempt to act as traces of previous lives, suggesting that unfamiliar objects can carry histories within them. 

Displayed directly on the wall, the forms appear to grow from its surface, activating the surface they inhabit. Each installation can shift, allowing relationships between the wall-mounted sculptures to change with placement. As viewers move around the work, different angles reveal new interactions of colour, reflection, and texture, altering perception and rewarding prolonged observation. 

Bright colour, strong contrast, and dense tactile surfaces create an immediate visual pull while encouraging closer inspection. At times, the works may resemble magnified cells, sea life, or botanical growths; at others, they might suggest decorative objects or preserved specimens. This shifting sense of scale allows the forms to feel both intimate and distant, as if they could belong equally to the body, the ocean floor, or a curated display. Presenting the sculptures as ambiguous “living fossils” reflects the artist’s interest in how memory and experience accumulate physically over time, becoming embedded in surfaces rather than told through images. 

Ultimately, the work is intended to be encountered slowly. Through shifting arrangements, layered materials, and changing viewpoints, the sculptures allow meaning to emerge through sustained attention rather than fixed interpretation.
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